{"id":1196,"date":"2020-02-26T15:41:40","date_gmt":"2020-02-26T15:41:40","guid":{"rendered":"http:\/\/yishay.com\/?page_id=1196"},"modified":"2022-11-06T19:51:24","modified_gmt":"2022-11-06T19:51:24","slug":"selected-shows","status":"publish","type":"page","link":"https:\/\/yishay.com\/index.php\/selected-shows\/","title":{"rendered":"Selected Shows"},"content":{"rendered":"\t\t
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Selected Exhibitions<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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My work has been exhibited in solo and group shows in galleries and museums internationally, including Tokyo, Seoul, New York, Miami, Boston, Berlin, Paris, London, and the Busan Biennale.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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SOLO EXHIBITIONS SELECTED<\/b><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2023 <\/strong>Anita Rogers Gallery, NYC, US, Yishay Garbasz: New works
<\/strong><\/span><\/p>

2022 <\/strong>Anita Rogers Gallery, NYC, US, Woman’s art doesn’t end at the outer labia.<\/span><\/p>

2016<\/strong> Baexong Arts, Kyoto, Japan, The long story of the contacts of \u201cthe other side\u201d, <\/i>Jan 15 \u2013 Feb 26.<\/span><\/p>

2015<\/strong> Pixel Grain Gallery, Berlin, Germany, Ritual and Reality<\/i>, July 23 \u2013 September 30.
<\/span>Ronald Feldman Fine Art, NYC, Severed Connection: Do what I say or they will kill you <\/i>May 9\u00a0 \u2013June 13.
<\/span><\/p>

2014<\/strong> Ronald Feldman Fine Art, NYC, Ritual & Reality <\/i>Feb15\u00a0 \u2013 March 22.<\/span><\/p>

2013<\/strong> Kniznick Gallery at the Women\u2019s Studies Research Center (WSRC) at Brandeis University. Coming Home, Pictures of Jewish women. <\/i>April 30 \u2013 June 14<\/span><\/p>

2010<\/strong> Northwood University, In My Mother\u2019s Footsteps, <\/i>Nov 16 \u2013 Dec 16.<\/span><\/p>

2009<\/strong> Tokyo Wonder Site, Tokyo, Japan, In My Mothers Footsteps, <\/i>April 11 \u2013 May 17.<\/span> (Catalog)
<\/span>Wako Works of Art, Tokyo, Japan, In My Mothers Footsteps, The Fence, In The Same House: Where a family lived for four or more generations, <\/i>April 11 \u2013 May 16.<\/span><\/p>

2008<\/strong> Chiang Mai Museum of Arts,<\/span> Chiang Mai,<\/span> Thailand, In My Mothers Footsteps, <\/i>January 31-February 10. <\/i>(Catalog)<\/span><\/p>

2007<\/strong> Jia-dong, Taiwan, In The Same House: Where a family lived for four or more generations.
<\/i><\/span>Meinong Hakka Museum, Taiwan, In The Same House: Where a family lived for four or more generations. <\/i>(catalog)<\/span><\/p>

2006<\/strong> Cicero Galerie f\u00fcr politische Fotografie, Berlin, Germany, The Fence,\u00a0<\/i>October 15 \u2013 March 15, 2007.<\/span><\/p>

2005<\/strong> Norderlicht Fotofestival, Groningen, Holland, In My Mothers Footsteps<\/i>. \u00a0September <\/span>4 \u2013 October 9. <\/span>(Catalog)<\/span><\/p>

2004<\/strong> Bertelsmann Campus Center, Bard College, NY, Israel in More Than One Dimension, <\/i>April 1 \u2013 April 30.<\/i><\/span><\/p>

Woods Studio, Bard College, NY, <\/span>Being Seen, <\/i>May 1 \u2013 May 31.\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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GROUP EXHIBITIONS SELECTED<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2023 <\/strong>ZAK, Berlin, DE, HAUT, (Catalog) (upcoming)
<\/strong><\/span><\/p>

2022<\/strong> Museo de la Memoria y los Derechos Humanos (Museum of Memory and Human Rights), Santiago de Chile, CL, The Art of Feminisms (catalog)
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MeetFactory, Prague, CZ, Wells of Wisdom (Catalog)
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ID:I galleri, Stockholm, SE, The Future as Negative Spaces.
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2021 <\/strong>A.K.T. Institute, Das dritte Geschlecht
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2020 <\/strong>Ronald Feldman Gallery, NYC, US, Prescient: A Five-by-Five Virtual Exhibition
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Weld, Stockholm, SE, tiodagarsfestival
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2019<\/strong> Baexong Arts, Tokyo,\u00a0Oriental Discourse,\u00a0<\/i>nov 29- Dec 9<\/span><\/p>

Ronald Feldman Fine Arts,\u00a0Summer show<\/i>, June 19- July 26.<\/span><\/p>

Kunsthalle Bega, Romania, Timi\u0219oara,<\/i>\u00a0Lay me down across the lines,\u00a0<\/i>September 13\u2013December. (Catalog)<\/span><\/p>

2017<\/strong> Luther Kirche, Cologne, Germany,\u00a0Heimat Variationen<\/i>, May 19 \u2013 June 9. (Catalog)<\/span><\/p>

Ronald Feldman Fine Arts,\u00a0Art on the Front Lines<\/i>, May 24 \u2013 August 19.<\/span><\/p>

Villa Waldberta,M\u00fcnich, solo performance\u00a0untitled<\/i>, 21.12.2017<\/span><\/p>

2016<\/strong> The Museum of Contemporary Art, in North Miami (MOCA),\u00a0Intersectionality<\/i>,\u00a0<\/span><\/p>

June \u2013 September 4, 2016.<\/span><\/p>

Fotohaus, Arles, France, 4 x The Photographic Salon, July 7.<\/span><\/p>

The Marlborough Theatre, Brighton, UK,\u00a0Nothing About Us, Without Us<\/i>,\u00a0
July 11 \u2013 August 12. (commissioned public installation for trans pride).\u00a0<\/span><\/p>

Galerie Confluence, Paris, France,\u00a0Trans Time<\/i>, October 6 \u2013 23.<\/span><\/p>

Witzo Haifa school of design, Israel,\u00a0Revealed Hippocampus: Memories<\/i>, April 5\u2013May 7<\/span><\/p>

Baexong Arts Kyoto Japan (Kyotography satellite event),\u00a0Throw the poison in the well,\u00a0<\/i>April 30 \u2013 May 8.<\/span><\/p>

2015<\/strong> Landmark College, Putney, Vermont,\u00a0Alumni Exhibition<\/i>, September 26 \u2013 November 10.<\/span><\/p>

Wako Works of Art, Tokyo, Japan,\u00a0Kurogo<\/i>, August 1 \u2013 September 5.<\/span><\/p>

Incheon Art Platform, Video\u00a0anthology 2015<\/i>, July \u2013 December 2015\u00a0<\/span><\/p>

Museum of Fine Art Boston,\u00a0In the Wake, Japanese Photographers Respond to 3\/11<\/i>, March 30 \u2013 June. (Catalog)<\/span><\/p>

2014<\/strong> Traveling exhibition, Los Angeles, CA,\u00a0Transient<\/i>, November 20 \u2013 24.<\/span><\/p>

L\u2019espace Cr\u00e9atif, Montr\u00e9al, Canada,\u00a0Trans Time<\/i>, September 25 \u2013 October 2.<\/span><\/p>

Antwerp Queer Arts Festival\u00a0Port<\/i>, 2-10 August.<\/span><\/p>

National Museum of Modern and Contemporary Art, Korea (MMCA)\u00a0Spot Connection.<\/i>\u00a0May 28 \u2013 June 22. (Catalog)<\/span><\/p>

Incheon Art Platform, Baengnyeongdo, Republic of Korea,\u00a0Here is Baengnyeongdo<\/i><\/span><\/p>

Report, February 27 \u2013 March 8. (Catalog)<\/span><\/p>

Kuntzraum Kreuzberg\/Bethanien,\u00a0<\/span>Distant Observations.\u00a0 Fukushima in Berlin,\u00a0<\/i><\/span>March 8 \u2013<\/span>\u00a0April 27.\u00a0<\/span><\/p>

Incheon Art Platform, Korea,\u00a0<\/span>Final Exhibition \u2013 Residencies 2013<\/i><\/span>, Jan 10 \u2013 Feb 23.\u00a0<\/span><\/p>

2013<\/strong> Wako Works of Art, Tokyo,\u00a0Gallery selection at ToLot,\u00a0<\/i>June 8 \u2013 July 27.<\/span><\/p>

2012<\/strong> Ronald Feldman Fine Arts, New York, NY,\u00a0Have We Met Before,\u00a0
<\/i>February 18 \u2013 April 28.<\/span><\/p>

Dumbo Arts Center, New York,\u00a0A Wake: Still Lives and Moving Images,\u00a0
<\/i>November 9 \u2013 November 25.\u00a0<\/span><\/p>

2011<\/strong> Ronald Feldman Fine Arts at Seven, Miami Art Week, Miami, FL,\u00a0
November 29 \u2013 December 4.<\/span><\/p>

Tokyo Wonder site, Tokyo,\u00a0NEXT \u2013 TWS 10 Year,\u00a0<\/i>July 7 \u2013 October 2.\u00a0<\/span><\/p>

Momentum, Berlin,\u00a0A Wake: Still Lives and Moving Images,\u00a0
<\/i>October 30 \u2013 November 20.<\/span><\/p>

Kunstraum Kreuzberg\/Bethanien, Berlin,\u00a0Summer Festival at Bethanien<\/i>, May 28.<\/span><\/p>

Lutherkirche K\u00f6ln-s\u00fcdstadt, Cologne, Germany,\u00a0Fukushima \u2013 Opening Doors with Compassion,\u00a0<\/i>July 21 \u2013 August 14.<\/i><\/span><\/p>

2010<\/strong> Busan Biennale, Busan, South Korea:\u00a0In My Mother\u2019s Footsteps; Becoming,\u00a0
<\/i>September 11 \u2013 November 20. (Catalog)<\/span><\/p>

Ronald Feldman Fine Art, New York, NY,\u00a0Resurrectine<\/i>, May 15 \u2013 July 26.<\/span><\/p>

Wako Works of Art, Tokyo, Japan,\u00a0Print & Bound,\u00a0<\/i>September 10 \u2013 September 25.<\/span><\/p>

2009<\/strong> Stanley Picker Gallery, Kingston University, London, England,\u00a0Pruning in the Garden of Eden<\/i>, February 2 \u2013 February 17.<\/span><\/p>

2007<\/strong> Kio-A-Thau, Taiwan,\u00a0In The Same House: Where a family lived for four or\u00a0<\/i><\/span><\/p>

more generations.<\/i>\u00a0<\/span><\/p>

Conference of Birds, Bangkok, Thailand:\u00a0The Gift of Tongues<\/i>;\u00a0Being Seen,\u00a0
<\/i>July 27 \u2013 August 19.<\/span><\/p>

2004<\/strong> Hillel Foundation, Washington, DC,\u00a0Israel in More Than One Dimension<\/i>.<\/span><\/p>

Peace Gallery, Kingston, NY,\u00a0The Fence.<\/i><\/span><\/p>

2003<\/strong> Upstate Art, Phoenicia, NY,\u00a0Street Photography.<\/i><\/span><\/p>

2001<\/strong> Fisher Arts Building, Bard College, New York, NY.<\/span><\/p>

Upstate Art, Phoenicia, NY,\u00a0Germantown<\/i>.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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MONOGRAPHS<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2020\u00a0Ritual and Reality, the trauma from Fukushima\u00a0<\/i>(Kehrer Verlag) Winter 2019\/2020<\/span><\/p>

2010\u00a0Becoming\u00a0<\/i>(Mark Batty Publisher, July 2010).<\/span><\/p>

2009\u00a0In My Mother\u2019s Footsteps<\/i>\u00a0(Hatje Cantz, April 2009) nominated for the Deutscher Fotobuchpreis\/German Photobook Award<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Selected Exhibitions My work has been exhibited in solo and group shows in galleries and museums internationally, including Tokyo, Seoul, New York, Miami, Boston, Berlin, Paris, London, and the Busan Biennale. SOLO EXHIBITIONS SELECTED 2023 Anita Rogers Gallery, NYC, US, Yishay Garbasz: New works 2022 Anita Rogers Gallery, NYC, US, Woman’s art doesn’t end at… Read More »Selected Shows<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":143,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"neve_meta_sidebar":"full-width","neve_meta_container":"","neve_meta_enable_content_width":"on","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-1196","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/pages\/1196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/comments?post=1196"}],"version-history":[{"count":13,"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/pages\/1196\/revisions"}],"predecessor-version":[{"id":1486,"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/pages\/1196\/revisions\/1486"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/media\/143"}],"wp:attachment":[{"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/media?parent=1196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}