{"id":770,"date":"2019-08-14T11:23:28","date_gmt":"2019-08-14T11:23:28","guid":{"rendered":"http:\/\/yishay.com\/?page_id=770"},"modified":"2022-11-22T13:22:12","modified_gmt":"2022-11-22T13:22:12","slug":"curriculum-vitae-full-cv","status":"publish","type":"page","link":"https:\/\/yishay.com\/index.php\/curriculum-vitae-full-cv\/","title":{"rendered":"Curriculum Vitae, full CV"},"content":{"rendered":"\t\t
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Curriculum Vitae<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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EDUCATION<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2004-4005 Thomas J. Watson Fellowship, Independent study, Trans Europe.<\/span><\/p>

2000-2004 BA in Photography, Bard College, studied with Stephen Shore, Annandale-on-Hudson, NY<\/span><\/p>

1997-2000 Residential monastic Zen training, Zen Mountain Monastery, Mt. Tremper, NY\u00a0<\/span><\/p>

1995-1996 Landmark College, Putney VT<\/span><\/p>

1988 Video production, Global Village in conjunction with The New School for Social Research<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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SOLO EXHIBITIONS<\/b><\/span>
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2023 <\/strong>Anita Rogers Gallery, NYC, US, Yishay Garbasz: New works
<\/strong><\/span><\/p>

2022 <\/strong>Anita Rogers Gallery, NYC, US, Woman’s art doesn’t end at the outer labia.
<\/strong><\/span><\/p>

2016<\/strong> Baexong Arts, Kyoto, Japan, The long story of the contacts of \u201cthe other side\u201d, <\/i>Jan 15 \u2013 Feb 26.<\/span><\/p>

2015<\/strong> Pixel Grain Gallery, Berlin, Germany, Ritual and Reality<\/i>, July 23 \u2013 September 30.
<\/span>Ronald Feldman Fine Art, NYC, Severed Connection: Do what I say or they will kill you <\/i>May 9\u00a0 \u2013June 13.
<\/span><\/p>

2014<\/strong> Ronald Feldman Fine Art, NYC, Ritual & Reality <\/i>Feb15\u00a0 \u2013 March 22.<\/span><\/p>

2013<\/strong> Kniznick Gallery at the Women\u2019s Studies Research Center (WSRC) at Brandeis University. Coming Home, Pictures of Jewish women. <\/i>April 30 \u2013 June 14<\/span><\/p>

2010<\/strong> Northwood University, In My Mother\u2019s Footsteps, <\/i>Nov 16 \u2013 Dec 16.<\/span><\/p>

2009<\/strong> Tokyo Wonder Site, Tokyo, Japan, In My Mothers Footsteps, <\/i>April 11 \u2013 May 17.<\/span> (Catalog)
<\/span>Wako Works of Art, Tokyo, Japan, In My Mothers Footsteps, The Fence, In The Same House: Where a family lived for four or more generations, <\/i>April 11 \u2013 May 16.<\/span><\/p>

2008<\/strong> Chiang Mai Museum of Arts,<\/span> Chiang Mai,<\/span> Thailand, In My Mothers Footsteps, <\/i>January 31-February 10. <\/i>(Catalog)<\/span><\/p>

2007<\/strong> Jia-dong, Taiwan, In The Same House: Where a family lived for four or more generations.
<\/i><\/span>Meinong Hakka Museum, Taiwan, In The Same House: Where a family lived for four or more generations. <\/i>(catalog)<\/span><\/p>

2006<\/strong> Cicero Galerie f\u00fcr politische Fotografie, Berlin, Germany, The Fence,\u00a0<\/i>October 15 \u2013 March 15, 2007.<\/span><\/p>

2005<\/strong> Norderlicht Fotofestival, Groningen, Holland, In My Mothers Footsteps<\/i>. \u00a0September <\/span>4 \u2013 October 9. <\/span>(Catalog)<\/span><\/p>

2004<\/strong> Bertelsmann Campus Center, Bard College, NY, Israel in More Than One Dimension, <\/i>April 1 \u2013 April 30.<\/i><\/span><\/p>

Woods Studio, Bard College, NY, <\/span>Being Seen, <\/i>May 1 \u2013 May 31.\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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SELECTED GROUP EXHIBITIONS<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2023 <\/strong>ZAK, Berlin, DE, HAUT, (Catalog) (upcoming)
<\/strong><\/span><\/p>

2022 <\/strong>Museo de la Memoria y los Derechos Humanos (Museum of Memory and Human Rights), Santiago de Chile, CL, <\/span><\/p>

The Art of Feminisms (catalog)
MeetFactory, Prague, CZ, Wells of Wisdom (Catalog)
ID:I galleri, Stockholm, SE, The Future as Negative Spaces.
<\/strong><\/span><\/p>

2021 <\/strong>A.K.T. Institute, Das dritte Geschlecht
<\/strong><\/span><\/p>

2020 <\/strong>Ronald Feldman Gallery, NYC, US, Prescient: A Five-by-Five Virtual Exhibition
<\/strong><\/span><\/p>

Weld, Stockholm, SE, tiodagarsfestival<\/span><\/p>


2019<\/strong> Baexong Arts, Tokyo,\u00a0Oriental Discourse,\u00a0<\/i>nov 29- Dec 9<\/span><\/p>

Ronald Feldman Fine Arts,\u00a0Summer show<\/i>, June 19- July 26.<\/span><\/p>

Kunsthalle Bega, Romania, Timi\u0219oara,<\/i>\u00a0Lay me down across the lines,\u00a0<\/i>September 13\u2013December. (Catalog)<\/span><\/p>

2017<\/strong> Luther Kirche, Cologne, Germany,\u00a0Heimat Variationen<\/i>, May 19 \u2013 June 9. (Catalog)<\/span><\/p>

Ronald Feldman Fine Arts,\u00a0Art on the Front Lines<\/i>, May 24 \u2013 August 19.<\/span><\/p>

Villa Waldberta,M\u00fcnich, solo performance\u00a0untitled<\/i>, 21.12.2017<\/span><\/p>

2016<\/strong> The Museum of Contemporary Art, in North Miami (MOCA),\u00a0Intersectionality<\/i>,\u00a0<\/span><\/p>

June \u2013 September 4, 2016.<\/span><\/p>

Fotohaus, Arles, France, 4 x The Photographic Salon, July 7.<\/span><\/p>

The Marlborough Theatre, Brighton, UK,\u00a0Nothing About Us, Without Us<\/i>,\u00a0
July 11 \u2013 August 12. (commissioned public installation for trans pride).\u00a0<\/span><\/p>

Galerie Confluence, Paris, France,\u00a0Trans Time<\/i>, October 6 \u2013 23.<\/span><\/p>

Witzo Haifa school of design, Israel,\u00a0Revealed Hippocampus: Memories<\/i>, April 5\u2013May 7<\/span><\/p>

Baexong Arts Kyoto Japan (Kyotography satellite event),\u00a0Throw the poison in the well,\u00a0<\/i>April 30 \u2013 May 8.<\/span><\/p>

2015<\/strong> Landmark College, Putney, Vermont,\u00a0Alumni Exhibition<\/i>, September 26 \u2013 November 10.<\/span><\/p>

Wako Works of Art, Tokyo, Japan,\u00a0Kurogo<\/i>, August 1 \u2013 September 5.<\/span><\/p>

Incheon Art Platform, Video\u00a0anthology 2015<\/i>, July \u2013 December 2015\u00a0<\/span><\/p>

Museum of Fine Art Boston,\u00a0In the Wake, Japanese Photographers Respond to 3\/11<\/i>, March 30 \u2013 June. (Catalog)<\/span><\/p>

2014<\/strong> Traveling exhibition, Los Angeles, CA,\u00a0Transient<\/i>, November 20 \u2013 24.<\/span><\/p>

L\u2019espace Cr\u00e9atif, Montr\u00e9al, Canada,\u00a0Trans Time<\/i>, September 25 \u2013 October 2.<\/span><\/p>

Antwerp Queer Arts Festival\u00a0Port<\/i>, 2-10 August.<\/span><\/p>

National Museum of Modern and Contemporary Art, Korea (MMCA)\u00a0Spot Connection.<\/i>\u00a0May 28 \u2013 June 22. (Catalog)<\/span><\/p>

Incheon Art Platform, Baengnyeongdo, Republic of Korea,\u00a0Here is Baengnyeongdo<\/i><\/span><\/p>

Report, February 27 \u2013 March 8. (Catalog)<\/span><\/p>

Kuntzraum Kreuzberg\/Bethanien,\u00a0<\/span>Distant Observations.\u00a0 Fukushima in Berlin,\u00a0<\/i><\/span>March 8 \u2013<\/span>\u00a0April 27.\u00a0<\/span><\/p>

Incheon Art Platform, Korea,\u00a0<\/span>Final Exhibition \u2013 Residencies 2013<\/i><\/span>, Jan 10 \u2013 Feb 23.\u00a0<\/span><\/p>

2013<\/strong> Wako Works of Art, Tokyo,\u00a0Gallery selection at ToLot,\u00a0<\/i>June 8 \u2013 July 27.<\/span><\/p>

2012<\/strong> Ronald Feldman Fine Arts, New York, NY,\u00a0Have We Met Before,\u00a0
<\/i>February 18 \u2013 April 28.<\/span><\/p>

Dumbo Arts Center, New York,\u00a0A Wake: Still Lives and Moving Images,\u00a0
<\/i>November 9 \u2013 November 25.\u00a0<\/span><\/p>

2011<\/strong> Ronald Feldman Fine Arts at Seven, Miami Art Week, Miami, FL,\u00a0
November 29 \u2013 December 4.<\/span><\/p>

Tokyo Wonder site, Tokyo,\u00a0NEXT \u2013 TWS 10 Year,\u00a0<\/i>July 7 \u2013 October 2.\u00a0<\/span><\/p>

Momentum, Berlin,\u00a0A Wake: Still Lives and Moving Images,\u00a0
<\/i>October 30 \u2013 November 20.<\/span><\/p>

Kunstraum Kreuzberg\/Bethanien, Berlin,\u00a0Summer Festival at Bethanien<\/i>, May 28.<\/span><\/p>

Lutherkirche K\u00f6ln-s\u00fcdstadt, Cologne, Germany,\u00a0Fukushima \u2013 Opening Doors with Compassion,\u00a0<\/i>July 21 \u2013 August 14.<\/i><\/span><\/p>

2010<\/strong> Busan Biennale, Busan, South Korea:\u00a0In My Mother\u2019s Footsteps; Becoming,\u00a0
<\/i>September 11 \u2013 November 20. (Catalog)<\/span><\/p>

Ronald Feldman Fine Art, New York, NY,\u00a0Resurrectine<\/i>, May 15 \u2013 July 26.<\/span><\/p>

Wako Works of Art, Tokyo, Japan,\u00a0Print & Bound,\u00a0<\/i>September 10 \u2013 September 25.<\/span><\/p>

2009<\/strong> Stanley Picker Gallery, Kingston University, London, England,\u00a0Pruning in the Garden of Eden<\/i>, February 2 \u2013 February 17.<\/span><\/p>

2007<\/strong> Kio-A-Thau, Taiwan,\u00a0In The Same House: Where a family lived for four or\u00a0<\/i><\/span><\/p>

more generations.<\/i>\u00a0<\/span><\/p>

Conference of Birds, Bangkok, Thailand:\u00a0The Gift of Tongues<\/i>;\u00a0Being Seen,\u00a0
<\/i>July 27 \u2013 August 19.<\/span><\/p>

2004<\/strong> Hillel Foundation, Washington, DC,\u00a0Israel in More Than One Dimension<\/i>.<\/span><\/p>

Peace Gallery, Kingston, NY,\u00a0The Fence.<\/i><\/span><\/p>

2003<\/strong> Upstate Art, Phoenicia, NY,\u00a0Street Photography.<\/i><\/span><\/p>

2001<\/strong> Fisher Arts Building, Bard College, New York, NY.<\/span><\/p>

Upstate Art, Phoenicia, NY,\u00a0Germantown<\/i>.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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MONOGRAPHS<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2020\u00a0Ritual and Reality, the trauma from Fukushima\u00a0<\/i>(Kehrer Verlag) Winter 2019\/2020<\/span><\/p>

2010\u00a0Becoming\u00a0<\/i>(Mark Batty Publisher, July 2010).<\/span><\/p>

2009\u00a0In My Mother\u2019s Footsteps<\/i>\u00a0(Hatje Cantz, April 2009) nominated for the Deutscher Fotobuchpreis\/German Photobook Award<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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BIBLIOGRAPHY<\/span><\/span><\/p>

(* indicates articles pertaining solely to the artist)<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2022<\/strong> Lia Becker, Atlanta Ina Beyer, Katharina P\u00fchl, \u201cBite Back! Queere Prekarit\u00e4t, Klasse und unteilbare Solidarit\u00e4t.\u201d Edition Assemblage, March 2022. Chapter 1: \u201cYishay Garbasz: Leave no-one behind!? \u00dcber trans*feindliche Gewalt und \u00dcberleben, Kunst und \u201equeere\u201c Politik\u201d<\/span><\/p>

Nicole Erin Morse, \u201cSelfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art\u201d, March 2022.
<\/strong><\/span><\/p>

2021 <\/strong>Claudia Theis Passaro, Gro\u00dfe Kunst von Frauen, Sep 2021, DK Verlag
<\/span><\/p>

David Benmayer, Rebecca Taylor, \u201cAge of Confidence: The New Jewish Culture Wave: Celebrating Twenty Years of Jewish Renaissance\u201d, The History Press, October 2021 pp 84,85:
<\/strong><\/span><\/p>

2020 <\/strong>Jane Gerhard and Dan Tucker, \u201cCitizen Woman: An Illustrated History of the Women’s Movement\u201d, Prestel Verlag, May 2020.
<\/span><\/p>

Jane Gerhard and Dan Tucker, \u201cFeminismus: Die illustrierte Geschichte der weltweiten Frauenbewegung\u201d, Prestel Verlag, March 2020. pp 191,194.
<\/strong><\/span><\/p>

* Paula Balov, \u201cNormativita\u0308t wirklich infrage stellen\u201d, Siegessa\u0308ule<\/em>, Berlin, Germany. February 2020. https:\/\/www.siegessaeule.de\/no_cache\/newscomments\/article\/4587-normativitaet-wirklich-infrage-stellen.html<\/a><\/span><\/p>

Staff, \u201c\u30aa\u30ea\u30a8\u30f3\u30bf\u30eb\u30fb\u30c6\u3099\u30a3\u30b9\u30af\u30fc\u30eb\u201d,\u00a0Artscape<\/em>\u00a0Japan, 15 January 2020.\u00a0https:\/\/artscape.jp\/report\/review\/10159406_1735.html\u00a0<\/a><\/span><\/p>

2019 <\/strong>Karen Wright, \u201cGreat Women Artists\u201d, Phaidon Press<\/em>. PP 148. Sep 2019. ISBN: 9780714878775<\/span><\/p>

* Tsafi Saar, \u201cThis Trans Artist Couldn\u2019t Register as a Woman in Israel. Until Haaretz Intervened\u201d, Haaretz<\/em> (English edition) 8 Nov 2019. https:\/\/www.haaretz.com\/israel-news\/.premium-this-trans-artist-couldn-t-register-as-a-woman-in-israel-until-haaretz-intervened-1.8093384<\/a>
<\/span><\/p>

* Tsafi Saar, \u201c\u05d0\u05de\u05e0\u05d9\u05ea \u05dc\u05d0 \u05de\u05d5\u05db\u05e8\u05ea\u201d, Friday Gallery Haaretz<\/em>, Israel, 30 October 2019. https:\/\/www.haaretz.co.il\/gallery\/mejunderet\/.premium-1.8057351<\/a>
<\/span><\/p>

Andrea Lieber, \u201cThe State of the Romanian Avant-garde (I)\u201d, Revista ARTA<\/em>, Romania. 5 November 2019. https:\/\/revistaarta.ro\/en\/the-state-of-the-romanian-avant-garde-i\/<\/a><\/span><\/p>

Artspace Editors, \u201cGreat Women Artists: The 400 Most Important Female Artists Over the Last 500 Years\u201d, Artspace<\/em>,\u00a0
28 September 2019. https:\/\/www.artspace.com\/magazine\/news_events\/book_report\/great-women-artists-the-400-most-important-female-artists-over-the-last-500-years-56258<\/a><\/span><\/p>

* Editors, \u201cIn My Mother\u2019s Footsteps\u201d, Vostok Magazin<\/em> Seoul, 17\ud638 _ \ub2e4\ud06c \ud22c\uc5b4\ub9ac\uc998, 18 September 2019<\/span><\/p>

Johnson, Hannah Lee. \u201cRhetorics of trans allyship, toward an ethic of responsible listening and ally labor\u201d. PhD thesis, University of Iowa, pp131-132 (2019).<\/span><\/p>

Luc Schicharin, \u201cL\u2019art transgenre, vers d\u2019autres exp\u00e9riences corporelles du temps\u201d, GLAD!<\/em> Issue 6, July 2019. https:\/\/www.revue-glad.org\/1554<\/a><\/span><\/p>

Hilary Robinson, Maria Buszek, \u201cA Companion to Feminist Art, Blackwell Companions to Art History, Collecting Creative Transcestors\u201d, John Wiley & Sons<\/em>, pp232-238. 24 June 2019.<\/span><\/p>

Ardel Haefele-Thomas, \u201cIntroduction to Transgender Studies\u201d, Columbia University Press<\/em>, PP407, 5 May 2019<\/span><\/p>

Jung-Ah Woo, \u201cUnited to Be Dispersed: The WAWA Project and Community Art after the Great East Japan Earthquake\u201d, Archives of Asian Art<\/em> Volume 69 Issue 1, 2019<\/span><\/p>

\u00a0Aaron Devor, Ardel Haefele-Thomas, \u201cTransgender: A Reference Handbook\u201d, ABC-CLIO<\/em>, pp 218-219, 15 February 2019<\/span><\/p>

Eliza Steinbock, \u201cShimmering images : trans cinema, embodiment, and the aesthetics of change\u201d, pp 22, 27, 56-57, 59. Duke University Press<\/em>, 2019.<\/span><\/p>

2018<\/strong> Natalie Chui, \u201cHystereo\u201d Arcades Magazine<\/em> Issue 3, Dec 2018.<\/span><\/p>

*Santner, Martin. \u201cThe Number Project\u201d, 39NULL<\/em> magazine, pp46-49, 6\/2018.<\/span><\/p>

Julia Steinmetz \u201cMaterial Enactments: The Transformational Aesthetics of Cassils and Yishay Garbasz\u201d, Transgender Studies Quarterly,<\/em> volme 5, issue 2, 1 May 2018<\/span><\/p>

Catherine Alexander, Andrew Sanchez, \u201cIndeterminacy: Waste, Value, and the Imagination\u201d Berghahn Books,<\/em> pp57, 1 Oct 2018<\/span><\/p>

Ragen Chastain, \u201cThese Higher-Weight Female Athletes Are Shattering Myths About Fitness\u201d, US news and world report<\/em>, June 7, 2018 https:\/\/health.usnews.com\/health-news\/blogs\/eat-run\/articles\/2018-06-07\/these-higher-weight-female-athletes-are-shattering-myths-about-fitness<\/a><\/span><\/p>

Madeline Rasmussen, \u201cFemale Bodies at the Forefront of Protest\u201d. Moda Madison Magazine,<\/em> 20 April 2018<\/span><\/p>

Angie Kordic, \u201c10 Transgender Art Creatives Whose Work You Should Follow\u201d, WideWalls magazin,<\/em> 17 May 2018. https:\/\/www.widewalls.ch\/10-transgender-art-artists\/<\/a><\/span><\/p>

Villalpando, Mark J, \u201cBattling the big one: LGBTQ+ inclusive art education during the Trump era\u201d. Journal of Social Theory in Art Education<\/em> . 2018, Vol. 38, p25-37. 13p.<\/span><\/p>

\u5433\u8a69\u6021, \u5f35\u7ff0\u74a7, and \u8521\u82ac\u82b3. \u201c\u535a\u7269\u9928\u5c55\u793a\u8207\u5ba2\u5bb6\u8a18\u61b6: \u4ee5\u81fa\u7063\u5ba2\u5bb6\u6587\u7269\u9928\u70ba\u4f8b\u201d. Journal of Museum & Culture<\/em> 16 (2018): 47-90.
<\/span><\/p>

2017<\/strong> *Burdu\u2019ja, Cristina. \u201cOn the Inheritance of Post-Traumatic Memory\u201d. Thiiird Magazine<\/em>, March 2017. http:\/\/thiiirdmagazine.co.uk\/mind\/stories\/yishay-garbasz-interview-artist-uncovered\/<\/a><\/span><\/p>

*Shandler, Jeffrey. \u201cThe Unsightly and the Unseen: Yishay Garbasz at Home at the Border\u201d. Rejoinder Journal, Rutgers<\/em> School of Arts and Sciences. http:\/\/irw.rutgers.edu\/rejoinderwebjournal\/borders-bodieshomes\/289-the-unsightly-and-theunseen-yishay-garbasz-at-home-atthe-border<\/a><\/span><\/p>

*Staff. \u201cYishay Garbasz identity, agency, human rights and the construction of gender\u201d. The Disfactor.<\/em> March 18 2017. http:\/\/thedisfactor.blogspot.de\/2017\/03\/yishay-garbasz- identity-agency-human.html<\/a><\/span><\/p>

Nihan Akdemir, \u201cGender and Its Representation in Contemporary Arts\u201d, European Journal of Multidisciplinary Studies,<\/em> [S.l.], v. 2, n. 7, p. 11-22, oct. 2017.\u00a0http:\/\/journals.euser.org\/index.php\/ejms\/article\/view\/2784<\/a><\/span><\/p>

* Ken Johnson, \u201cSeverd Connections: Do what i say or they will kill you\u201d. They magazin<\/em>, 15 August 2017 pp31-34.<\/span><\/p>

* Chloe Julius, \u201cQuest Interview: Yishay Garbasz\u201d, Quest<\/em> Issue 6 Exile pp73-81, 2017<\/span><\/p>

Grayson Morley, \u201cWhere are they now\u201d, Bardian<\/em> spring 2017 pp15<\/span><\/p>

Ella Klik, \u201cCustomizing Memory: Number tattoos in contemporary Israeli memory work\u201d, Memory Studies,<\/em> 14 December 2014 http:\/\/journals.sagepub.com\/doi\/10.1177\/1750698017741932<\/a><\/span><\/p>

Jeffrey Shandler, \u201cHolocaust Memory in the Digital Age\u201d, Stanford University Press,<\/em> September 2017, ISBN 978-1503602892<\/span><\/p>

\uc6b0\uc815\uc544. “\ub2e4\ub098\uce74 \uace0\ud0a4\uc758\u300a \ucd94\uc0c1\uc801 \ubc1c\uc5b8\u300b \uacfc \ubd88\uc548\uc815\ud55c \uacf5\ub3d9\uccb4.” \ubbf8\uc220\uc774\ub860\uacfc \ud604\uc7a5<\/em> 24 (2017): 52-78.<\/span><\/p>

Correia, Maria da Luz, and Carla Cerqueira. \u201cEntrevista com Ruth Rosengarten: Atualmente a fotografia feminista \u00e9 diversa e bastante el\u00e1stica, ao inv\u00e9s de se fixar nos velhos binarismos\u201d. Comunica\u00e7\u00e3o e\u00a0Sociedade<\/em> 32 (2017): 495-500.
<\/span><\/p>

2016<\/strong> * Isoi, Reiji. \u201cThe long story of the contacts of \u201cthe other side.\u201d\u201d Kansai Art Beat,<\/em> February 17, 2016. http:\/\/www.kansaiartbeat.com\/kablog\/entries.ja\/2016\/02\/the-long-story-of-the-contacts-of-the-other-eside.html<\/a><\/span><\/p>

* Coles, Alex Hiroki. \u201cThe long story of the contacts of \u201cthe other side.\u201d\u201c, Shift Magazine<\/em>, February 26, 2016. http:\/\/www.shift.jp.org\/en\/archives\/2016\/02\/yishay-garbasz-the-other-<\/a><\/span><\/p>

*Yakura, Ayumi. \u201c\u30a4\u30b7\u30e3\u30a4\u30fb\u30ac\u30eb\u30d0\u30b7\u30e5\u5c55\u300c\u30ed\u30f3\u30b0\u30fb\u30b9\u30c8\u30fc\u30ea\u30fc\u30fb\u30aa\u30d6\u30fb\u30b3\u30f3\u30bf\u30af\u30c4\u30fb\u30aa\u30d6 \u201c\u30a2\u30b6\u30fc\u30fb\u30b5\u30a4\u30c9\u201d\u300d\u201d, Shift Magazine,<\/em> 13 February 2016. http:\/\/www.shift.jp.org\/ja\/blog\/2016\/02\/yishay-garbasz-the-other-side\/<\/a><\/span><\/p>

* avidog. \u201cThe Art of Trauma\u201d. Art History Grrrls,<\/em> May 19, 2016. https:\/\/arthistorygrrrls.com\/2016\/05\/19\/the-art-of-trauma\/<\/a><\/span><\/p>

* Berlin Community Radio, \u201cHYSTEREO #31: Against the Art of Exclusion\u201d, HYSTEREO<\/em>, March 30, https:\/\/www.mixcloud.com\/BCR_Radio\/hystereo-31-against-the-art-of-exclusion\/<\/a><\/span><\/p>

* Alison Hugill, \u201cBODY \/\/ Trauma and Identity: An Interview with Yishay Garbasz\u201d, Berlin Art Links<\/em>, April 19, 2016. http:\/\/www.berlinartlink.com\/2016\/04\/19\/body-trauma-and-identity-an-interview- \u00a0<\/a><\/span><\/p>

* G\u00f6ksu Kunak, \u201cTemporality Of Traumas: Yishay Garbasz\u2019s Time Drag Through Images\u201d, m-est,<\/em> Mar 22, 2016 https:\/\/m-est.org\/2016\/03\/22\/temporality-of-traumas-yishay-garbaszs-time-drag-through-images\/<\/a><\/span><\/p>

Angie Kordic, \u201c10 transgender art creatives whose work you should follow\u201d, Wide walls<\/em>, Jan 27, 2016 http:\/\/www.widewalls.ch\/10-transgender-art-artists\/<\/a><\/span><\/p>

*Staff. \u201c\u30a4\u30b7\u30e3\u30a4\u30fb\u30ab\u3099\u30eb\u30cf\u3099\u30b7\u30e5\u3001\u30e6\u30df\u30bd\u30f3 \u300cThrow the poison in the well\u300d.\u201d Artscape<\/em>, June 15, 2016. http:\/\/artscape.jp\/report\/review\/10123870_1735.html<\/a><\/span><\/p>

*Staff. \u201c\u30a4\u30b7\u30e3\u30a4\u30fb\u30ac\u30eb\u30d0\u30b7\u30e5\u300cThe long story of the contacts of \u201cthe other side\u201d\u300d\u201d, Artscape<\/em>, 15 March 2016. https:\/\/artscape.jp\/report\/review\/10120646_1735.html<\/a><\/span><\/p>

Yoram Mark-Reich, \u201cTo Remember and not to forget\u201d. Yediot<\/em> Haifa Israel, 15.4.2016<\/span><\/p>

Staff, \u201c\u05d6\u05d9\u05db\u05e8\u05d5\u05e0\u05d5\u05ea \u05d2\u05e0\u05d5\u05d6\u05d9\u05dd \u05d1\u05d5\u05d9\u05e6\u05d5 \u05d7\u05d9\u05e4\u05d4\u201d, Portfolio Magazine<\/em>, 3 April 2016 https:\/\/www.prtfl.co.il\/archives\/87644<\/a><\/span><\/p>

Claire Zalc, Tal Bruttmann, \u201cMicrohistories of the Holocaust\u201d, Volume 24 of War and Genocide<\/em> pp309, Berghahn Books, 2016<\/span><\/p>

* Staff, \u201cArtwork celebrates trans experience in Brighton\u201d, Susses Express, 17 July 2016. https:\/\/www.sussexexpress.co.uk\/whats-on\/theatre-and-comedy\/artwork-celebrates-trans-experience-in-brighton-1-7481584<\/a><\/span><\/p>

* Emma Frankland, \u201cTrans Pride Special\u201d, Not yet a robot<\/em> project and podcast, August 6th, 2016 https:\/\/notyetarobot.podbean.com\/e\/trans-pride-special\/<\/a><\/span><\/p>

Yamamoto Nine, \u201cCan the Token Speak? Toward a Theory of the Trojan Token \u2013 and Preliminary Tactical Notes\u201d, ASCA Conference<\/em> and Workshop 2016: Transparency \/ Opacity\u00a0https:\/\/nineyamamotomasson.com\/trojantoken<\/a><\/span><\/p>

Juliet Jacques, \u201cTrans: A memoir\u201d, Verso<\/em> publishing, 2016 pp 268-269<\/span><\/p>

Rose, Emma; Lonsdale, Stephen. \u201cHidden Identities and Concealed Dangers: Visual Art, Transgender Health, and Wellbeing\u201d. \u00a0International Journal of the Image.<\/em> 2016, Vol. 7 Issue 1, p1-12.<\/span><\/p>

Cook, Sophie, \u201cLatest LGBT News 26\/7\/2016 – TransPride Art & BLAGGS\u201d, Latest TV<\/em>, UK, 27 July 2016. https:\/\/www.youtube.com\/watch?v=_q5PQtdEow0&feature=youtu.be<\/a><\/span><\/p>

Julieta Sanguino, \u201cThe 15 Most Influential Transgender Artists\u201d, Cultura Colectiva,<\/em> 26 July 2016, https:\/\/culturacolectiva.com\/art\/the-15-most-influential-transgender-artists<\/a>
Translated to Spanish (same publication) https:\/\/culturacolectiva.com\/adulto\/los-15-artistas-transgenero-mas-importantes<\/a><\/span><\/p>

\uac15\uc18c\uc601. “\uc608\uc220\uc774\ub780 \uc6b8\ud0c0\ub9ac\uc5d0\uc11c \uaebc\ub0b4\uc900 \uce5c\uad6c.” \uc6d4\uac04 \uc0d8\ud130<\/em> (2016): 26-27.<\/span><\/p>

Indira Mallik and Jingjie Cheng, \u201cThe boys wanna be her\u201d, Felix Magazine<\/em>, 11 March 2016. http:\/\/felixonline.co.uk\/articles\/2016-3-11-the-boys-wanna-be-her\/\u00a0<\/a><\/span><\/p>

2015<\/strong> Palmer Lauren, \u201c15 Revolutionary and Influential Transgender Artists Who Refuse to Be Invisible\u201d. Artnet News<\/em>. Nov 20 2015. https:\/\/news.artnet.com\/people\/15-artists-commemorate-transgender-day-remembrance-361520<\/a><\/span><\/p>

* Yamamoto, Nine. \u201cWe have to think intersectionally\u2014Yishay Garbasz on the politics of allyship and solidarity\u201d. Verso Books<\/em> Blog, http:\/\/www.versobooks.com\/blogs\/2309-we-have-to-think-intersectionally-yishay-garbasz-on-the-politics-of-allyship-and-solidarity<\/a><\/span><\/p>

Nishimura Morse, Anne and Havinga, Anne E. \u201cIn the Wake: Japanese Photographers Respond to 3\/11\u201d (Boston: Museum of Fine Arts<\/em>, 2015). ISBN: 978-0-87846-827-0<\/span><\/p>

* Halutz, Doron. \u201cArtist Yishay Garbasz burned flesh and trauma works\u201d. Haaretz<\/em> Israeli Daily newspaper weekend supplement. September 3, 2015. . http:\/\/www.haaretz.co.il\/magazine\/.premium-1.2722182<\/a><\/span><\/p>

* Steinbock, Eliza. \u201cWalking into Conflict: Trans Woman and Visual Artist Yishay Garbasz on Chronicling Trauma\u201d. The Huffington Post,<\/em> May 1, 2015. http:\/\/www.huffingtonpost.com\/eliza-steinbock\/walking-into-conflict- tra_b_7188450.html<\/a><\/span><\/p>

Juliet Jacques, \u201cTranslating the Self\u201d, Frieze Magazine,<\/em> 25 September 2015 https:\/\/frieze.com\/article\/translating-self<\/a><\/span><\/p>

Staff, \u201cInternationales Flair im K\u00fcnstlerhaus\u201d, Eckernf\u00f6rder Zeitung<\/em>,13 June 2015. https:\/\/www.shz.de\/9959371<\/span><\/p>

Alison Hugill, \u201cART&FEMINISM \/\/ 5 Berlin Artists Who Happen to Be Feminists\u201d Berlin Art Link,<\/em> June 5, 2015 http:\/\/www.berlinartlink.com\/2015\/06\/05\/art-feminism-5-berlin-artists-who-happen-to-be-feminists\/<\/a><\/span><\/p>

Matt Breadmore, \u201cA Boston Photo Exhibition Focuses on a Disaster in Japan\u201d. The New York Times,<\/em> May 19, 2015. http:\/\/www.nytimes.com\/2015\/05\/19\/travel\/a-boston-photo-exhibition-focuses-on-a-disaster-in-japan.html?_r=0<\/a><\/span><\/p>

* van der Poel, Stephan, \u201cYishay Garbasz: In zijn moeders voetspoor\u201d. Journal JaGDaF<\/em>, (Issue 7), P.24. 2015 http:\/\/hdl.handle.net\/11370\/ee48d518-e2fe-48bd-bfbb-d2cc575eaaea<\/a><\/span><\/p>

Catani, Stephanie, and Friedhelm Marx, eds. \u201c\u00dcber Grenzen: Texte und Lekt\u00fcren der deutschsprachigen Gegenwartsliteratur\u201d. Vol. 12. Wallstein Verlag,<\/em> 2015.<\/span><\/p>

2014<\/strong> Frank, Priscilla. \u201c10 Transgender Artists Who Are Changing The Landscape of Contemporary Art\u201d. The Huffington Post<\/em>, March 26, 2014. http:\/\/www.huffingtonpost.com\/2014\/03\/26\/trans-artists_n_5023294.html<\/a><\/span><\/p>


*<\/strong> Johnson, Ken. \u201cYishay Garbasz: \u2018Ritual and Reality.’\u201d The New York Times<\/em>. March 6, 2014. http:\/\/www.nytimes.com\/2014\/03\/07\/arts\/design\/yishay-garbasz-ritual-and- reality.html?_r=0<\/a><\/span><\/p>

\u00a0Laura Erickson-Schroth, \u201cTrans Bodies, Trans Selves: A Resource for the Transgender Community\u201d, Oxford University Pres,<\/em> pp553, 2014<\/span><\/p>

* Staff. \u201dYishay Garbasz: Ritual and Reality.\u201d Afasia.<\/em> March 14, 2014. http:\/\/afasiaarq.blogspot.com\/2014\/03\/yishay-garbasz.html<\/a><\/span><\/p>

Juliet Jacques, \u201cHe to she: Transformation is sold as an instant miracle \u2014 but for transsexual people the journey is slow and painful\u201d, Aeon Magazin<\/em>. 15 Jan 2014 https:\/\/aeon.co\/essays\/there-was-no-before-and-after-in-my-transsexual-journey<\/a><\/span><\/p>

2013<\/strong> Miaji, Naoko. \u201cTrauma\u201d Iwanami Shoten,<\/em> Japan. 18 April 2013. pp 231\u2013233, ISBN: 978-4-00-431404-2.<\/span><\/p>

* L’Heureux, Michele. \u201cOn the role of the artist in promoting social change\u201d. Brandeis \u00a0NOW<\/em>. April 15, 2013. http:\/\/www.brandeis.edu\/now\/2013\/april\/garbasz.html<\/a><\/span><\/p>

*Staff. \u201cComing Soon, Coming Home: Portraits of Jewish Women by Yishay Garbasz\u201d. Brandeis University.<\/em> April 16, 2013. http:\/\/www.brandeis.edu\/wsrc\/arts\/comingsoon.html<\/a><\/span><\/p>

*Waxman, Tobaron. \u201cInterview with Yishay Garbasz\u201d. Pretty Queer.<\/em> March 3, 2013. http:\/\/www.prettyqueer.com\/2013\/03\/03\/interview-with-yishay-garbasz\/<\/a>
<\/span><\/p>

* \uc1a1\uc815\ub85c \uae30\uc790, \u201c\ubc31\ub839\ub3c4 \ud3c9\ud654\uc608\uc220\ub808\uc9c0\ub358\uc2dc\uc5d0 \uc601\uad6d\uc791\uac00 \ud569\ub958\u201d, Incheon Online<\/em>, 14 September 2013. http:\/\/m.incheonin.com\/news\/news_view.php?sq=21852&m_no=&sec=2<\/a><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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BIBLIOGRAPHY cont<\/span><\/span><\/p>

(* indicates articles pertaining solely to the artist)<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2012<\/strong>\u00a0 \u00a0 \u00a0\u00a0*Jovanovic,\u00a0Rozalia. \u201cSeven Art Fair to Return to\u00a0Art Basel Miami Beach\u201d.\u00a0The New\u00a0York Observer Online \u2013 Gallerist NY,\u00a0September 19, 2012.\u00a0https:\/\/observer.com\/2012\/09\/seven-art-fair-is-a-go-at-art-basel-miami-beach\/<\/a><\/span><\/p>

Velmet,\u00a0Aro. \u201cKehaline kasvatus\u201d,\u00a0Artshok, 10 March 2012.\u00a0http:\/\/artishok.blogspot.com\/2012\/03\/kehaline-kasvatus.html<\/a>
<\/span><\/p>

Staff. \u201cBest Basel Headline Grab \u2013 2012.\u201d\u00a0<\/span>Miami New Times,\u00a0<\/i><\/span>June 2012.\u00a0<\/span>\u00a0http:\/\/www.miaminewtimes.com\/bestof\/2012\/award\/best-basel-headline-grab-3315540\/<\/span><\/a><\/span>\u00a0<\/span><\/p>

2011<\/b> Marina Cashdan,\u00a0Show of Support, Seven Miami<\/i>\u00a0December 2, 2011 NYtimes blog\u00a0https:\/\/tmagazine.blogs.nytimes.com\/2011\/12\/02\/show-of-support-seven-miami\/<\/span><\/a>\u00a0
\u00a0\u00a0Anne\u00a0Tschida, \u201cArt Basel: The Takeaway\u201d,\u00a0Knight Foundation, 6 December 2011.\u00a0https:\/\/knightfoundation.org\/articles\/art-basel-the-takeaway\/<\/a>
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Jordan\u00a0Melnick, \u201cBasel Hopscotch: Seven To\u00a0Scope To Pulse\u201d,\u00a0Beached Miami,\u00a030 Nov 2011.\u00a0http:\/\/www.beachedmiami.com\/2011\/11\/30\/basel-hopscotch-scope-seven-pulse\/<\/a>
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Fox,\u00a0Catherine, \u201cArt Basel Miami Beach, where\u00a0shopping, aesthetics, flamboyance generate heat and sometimes light\u201d,\u00a0ARTSATL, 19 Dec 2011.\u00a0https:\/\/www.artsatl.org\/art-basel-miami-where-shopping-aesthetic-experience-citys-flamboyance-generate-heat-and-sometimes-light\/<\/a>
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Staff,\u00a0\u201cSeven Art Fair At Art Basel Miami\u201d,\u00a0Cheap & Plastique blog, 21 Dec 2011.\u00a0https:\/\/cheapandplastique.wordpress.com\/2011\/12\/21\/seven-art-fair-at-art-basel-miami\/<\/a>
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Cox,\u00a0Joanie. \u201cGlamazon: Unusual gifts for\u00a0unusual people\u201d, Sun Sentinel.\u00a015 Dec 2011.\u00a0https:\/\/www.sun-sentinel.com\/sfl-glamazon-unusual-gifts-for-unusual-people-20111215-story.html<\/a>
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Hamacher,\u00a0Katharina. \u201cWer den ersten Sein wirft\u201d,\u00a0K\u00f6lniche\u00a0Rundchau, 5 Aug 2011.
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0*\u00a0Raimund\u00a0Wolfer, \u201cYishay Garbasz: Becoming. A\u00a0Gender Flipbook\u201d,\u00a0Mitteilungen der\u00a0Magnus-Hirschfeld-Gesellschaft, Mai 2011.\u00a0https:\/\/magnus-hirschfeld.de\/publikationen\/mitteilungen\/mitteilungen-46-47\/<\/a>
<\/span><\/p>

2010<\/b> De Tilly, Katie. \u201cArt Spy: Soulful journeys in Korea.\u201d\u00a0Bacharat Magazine Hong Kong<\/i>, October, 2010. pp.126 -127.<\/span><\/p>

KlomfaB, Johannes and Sabine Rlester. \u201cLere Orte und dar\u00fcber der Geist der Toten\u201d,\u00a0*\u00a0<\/span>J\u00fcdische Zeitung<\/i>, January 2010.\u00a0http:\/\/www.j-zeit.de\/archiv\/artikel.1957.html<\/span><\/a>\u00a0<\/span><\/p>

Maltz-Leca, Leora. \u201cCritics Pick: Living in Evolution.\u201d\u00a0Artforum<\/i>, November 10, 2010.\u00a0https:\/\/www.artforum.com\/picks\/living-in-evolution-26784<\/span><\/a>\u00a0<\/span><\/p>

Rosen, Bjorn. \u201cBlick ins Innere: Schoa. Das Thema hat mich gew\u00e4hlt, sagt Yishay Garbasz. So folgte die Fotografin.\u201d\u00a0Juedische Allgemeine,\u00a0<\/i>January 28, 2010. p.3.\u00a0*\u00a0<\/span>http:\/\/www.juedische-allgemeine.de\/article\/view\/id\/4994<\/span><\/a>\u00a0<\/span><\/p>

Rosen, Bjorn. \u201cDie Kunst zu leben.\u201d\u00a0Der Tagesspigel<\/i>, November, 14, 2010.<\/span>\u00a0*\u00a0<\/span>http:\/\/www.tagesspiegel.de\/zeitung\/frauen-und-maenner-die-kunst-zu-leben\/2174966.html<\/span><\/a>\u00a0<\/span><\/p>

Staff. \u201cChild of a Survivor Walks in Her Mother\u2019s Footsteps.\u201d\u00a0Jewish Journal,\u00a0<\/i>April, 1, 2010.\u00a0*\u00a0<\/span><\/span><\/p>

Staff. \u201cInterview.\u201d\u00a0Wolganmisool Art Magazine Korea<\/i>, October, 2010.\u00a0<\/span><\/p>

*Staff, Nymphoto Blog women in photography, January 2010\u00a0http:\/\/nymphoto.blogspot.com\/2010\/02\/conversation-with-yishay-garbasz.html<\/span><\/a>\u00a0<\/span><\/p>

Ozaki Tetsuya,\u00a0222: A truning point for international art shows,\u00a0<\/i>RealTokyo, 21 December 2011\u00a0http:\/\/archive.realtokyo.co.jp\/docs\/en\/column\/outoftokyo\/bn\/ozaki_222_en\/<\/span><\/a>\u00a0<\/span><\/p>

Kimberly Brown, A report from the 2010 Busan Biennale<\/i>, 27 October 2010 https:\/\/frieze.com\/article\/living-evolution\u2019<\/a><\/span><\/span><\/p>

Naofumi Osaka,\u00a0Report: A talk on works by Yishay Garbasz\u00a0<\/i>, 21 January 2010\u00a0https:\/\/www.art-it.asia\/en\/u\/wakoart_e\/sznpi9b2tbf5mgwrdc1e<\/span><\/a>\u00a0<\/span><\/p>

2009<\/b> Birmingham, Lucy. \u201cCritics pick: Yishay Garbasz, Wako Works of Art.\u201d\u00a0Artforum.com<\/i>, May 2009.\u00a0*\u00a0<\/span>https:\/\/www.artforum.com\/picks\/yishay-garbasz-22672<\/span><\/a>\u00a0<\/span><\/span><\/p>

Birmingham, Lucy. \u201cCollecting the lost pieces of a soul: Seeking self-discovery, Yishay Garbasz traced her mother\u2019s Holocaust experience.\u201d\u00a0Japan Times<\/i>, May 1, 2009.\u00a0*\u00a0<\/span>http:\/\/www.japantimes.co.jp\/text\/fa20090501a1.html<\/span><\/a><\/span><\/p>

*Staff, \u201cFootsteps\u201d,\u00a0The\u00a0Yomiuri Shimbun, pp4 ART+, 11 May 2009.<\/span><\/p>

Colbert,\u00a0J\u00f6rg. \u201eThe Best Photo Books of 2009\u201c.\u00a0Conscientious Blog,\u00a0December 2009. http:\/\/jmcolberg.com\/weblog\/2009\/12\/the_best_photo_books_2009\/<\/a>
<\/span><\/p>

Colberg, J\u00f6rg. \u201cReview: In My Mother\u2019s Footsteps.\u201d\u00a0Conscientious Blog<\/i>, June, 5, 2009.\u00a0* <\/span>http:\/\/jmcolberg.com\/weblog\/2009\/06\/review_in_my_mothers_footsteps_by_yishay_garbasz\/<\/a><\/span><\/p>

Staff. \u201cPicture Power.\u201d\u00a0Newsweek<\/i>\u00a0Japan<\/i>, October 14, 2009.\u00a0*\u00a0<\/span><\/span><\/p>

Staff. \u201cFotoboeken.\u201d\u00a0Snoecks,\u00a0<\/i>October 1, 2009.\u00a0*\u00a0<\/span><\/span><\/p>

Staff. \u201cLivers.\u201d\u00a0Azart,\u00a0<\/i>September 1, 2009.\u00a0*\u00a0<\/span><\/span><\/p>

Staff.\u201cNeue Buch.\u201d\u00a0Photonews<\/i>, August, 2009.\u00a0*\u00a0<\/span><\/span><\/p>

Staff. \u201cBuch Des Monats.\u201d\u00a0ProfiFoto,\u00a0<\/i>June, 2009.\u00a0*\u00a0<\/span><\/span><\/p>

Staff. \u201cBilder einer Seele.\u201d\u00a0Der Spiegel<\/i>, May 30, 2009. p.50.\u00a0*\u00a0<\/span><\/span><\/p>

Shihoko Lida,\u00a0contributor best five exhibitions of 2009,<\/i>\u00a0ART iT\u00a0\u00a0https:\/\/www.art-it.asia\/en\/u\/admin_columns_e\/rplctbsavolnu3a0g51f<\/span><\/a>\u00a0<\/span><\/p>

2008<\/b> Brostoff, Marissa. \u201cIn Thailand, an Unusual Exhibit.\u201d\u00a0The Forward<\/i>, January 23, 2008.\u00a0*\u00a0<\/span>http:\/\/forward.com\/articles\/12527\/in-thailand-an-unusual-exhibit-\/<\/span><\/a><\/span><\/p>

Messenger, Jim. \u201cLost & Found.\u201d\u00a0Art4d<\/i>, June 2008.<\/span><\/p>

*Anna Shkolnik, \u201c\u0410\u0437\u0438\u0430\u0442\u0441\u043a\u0438\u0438 \u0432\u0437\u0433\u043b\u044f\u0434 \u043d\u0430 \u0435\u0432\u0440\u0435\u0438\u0441\u043a\u0438\u0435 \u0446\u0435\u043d\u043d\u043e\u0441\u0442\u0438\u201d,\u00a0booknik.ru, 2 Feb 2008.\u00a0http:\/\/booknik.ru\/today\/reports\/aziatskiyi-vzglyad-na-evreyiskie-tsennosti\/<\/a><\/span><\/p>

Staff. \u201cMoving Work of Yishay Garbasz Exhibited in Chiang Mai, Thailand.\u201d\u00a0Jewish Times Asia<\/i>, January 2008.\u00a0*\u00a0<\/span><\/span><\/p>

Staff. \u201cThe Holocaust Revisited.\u201d\u00a0The Nation<\/i>, February 2008.\u00a0*\u00a0<\/span><\/span><\/p>

Tilley, Bob. \u201cThe Holocaust Revisited.\u201d\u00a0City Life<\/i>, January 2008.\u00a0*\u00a0<\/span>http:\/\/www.chiangmainews.com\/ecmn\/viewfa.php?id=2072<\/span><\/a><\/span><\/p>

*Huang,\u00a0Jialin. “\u4ee5\u8272\u5217\u6444\u5f71\u5927\u5e08\u7f8e\u6d53\u5c55\u827a.”\u00a0Liberty\u00a0Times (\u81ea\u7531\u65f6\u62a5), February 22, 2008, p. A13.<\/span><\/p>

2007<\/b> Staff. \u201cGift of Tongues.\u201d\u00a0Art4d<\/i>\u00a0(November 2007.<\/span><\/p>

*Staff, \u201cIn The Same House\u201d,\u00a0Taipei Times\u00a0p A14, 7 December 2007.<\/span><\/p>

*Staff,\u00a0\u201cIn The Same House\u201d,\u00a0China News (Taiwan),\u00a0p C2, 7 December 2007.<\/span><\/p>

\u00a0*Song,\u00a0Yicheng. “\u5ba2\u5bb6\u651d\u5f71\u5c55.”\u00a0Taiwan Times\u00a0(\u81fa\u7063\u6642\u5831), December 7, 2007, p. 12.<\/span><\/p>

*Huang,\u00a0Jialin. “\u9a7b\u6751\u827a\u672f\u5bb6\u611f\u53d7\u5ba2\u5bb6\u4eba\u60c5\u5473.”\u00a0Liberty\u00a0Times (\u81ea\u7531\u65f6\u62a5)\uff0cDecember 17, 2007, p A13.<\/span><\/p>

\u00a0*Wang,\u00a0Zhaoyue. “\u4ee5\u7c4d\u99d0\u6751\u85dd\u8853\u5bb6\u00a0\u5fb5\u4e09\u4ee3\u540c\u5802.”\u00a0United Daily\u00a0News (\u8054\u5408\u62a5), September 1, 2007, p. D8.<\/span><\/p>

*Chen,\u00a0Zhipeng. “\u559c\u6b22\u53f0\u6e7e\u7684\u827a\u672f\u5bb6Yishay (\u4e59\u8d5b)\u00a0\u5341\u6708\u671f\u95f4\u5c06\u5728\u7f8e\u6d53\u8fdb\u884c\u5bb6\u65cf\u6444\u5f71.”\u00a0Yueguangshan\u00a0Magazine (\u6708\u5149\u5c71\u6742\u5fd7), no.\u00a0922, October 19, 2007, p. 2.<\/span><\/p>

*Wang,\u00a0Jiecun. “\u963f\u516c\u5e97\u6c34\u5eab\u653e\u7a7a\u9632\u6de4\u7e7c\u7e8c\u8fa6.”\u00a0China\u00a0Times (\u4e2d\u570b\u6642\u5831),\u00a0September 15, 2007, p. C2.<\/span><\/p>

*Liu,\u00a0Zhiwei. “\u5ba2\u5bb6\u6587\u7269\u660e\u8d77\u8a66\u71df\u904b.”\u00a0Apple Daily\u00a0(\u860b\u679c\u65e5\u5831),\u00a0\u00a0December 7,\u00a02007, p. A26.
<\/span><\/p>

2006<\/b> Der Kellen, Ralf Bei.\u00a0 \u201cZeitlos und detailgetreu.\u201d\u00a0Deutschlandradio Kultur<\/i>, November 21,\u00a0*\u00a0<\/span>2006.\u00a0http:\/\/www.dradio.de\/dkultur\/sendungen\/profil\/576908\/<\/span><\/a><\/span><\/p>

Feist, Nora. \u201cUnverstellter Blick.\u201d\u00a0Berliner Zeitung<\/i>, October 13, 2006.\u00a0http:\/\/www.berliner-zeitung.de\/archiv\/eroeffnung-der-cicero-galerie-fuer-politische-kunst-unverstellter-blick,10810590,10426310.html<\/span><\/a><\/span><\/p>

Kroohs, Dwayne. \u201c2005: A Look Back.\u201d\u00a0The Daily Freeman<\/i>, January 1, 2006.\u00a0*\u00a0<\/span>http:\/\/www.dailyfreeman.com\/articles\/2006\/01\/01\/people%20&%20events\/<\/span><\/a>15848255.txt<\/span><\/p>

Staff. \u201cDie Welt mauert sich ein.\u201d\u00a0plus<\/i>, November 2006.*\u00a0<\/span><\/span><\/p>

Staff. \u201cMauerbilder mitten in Berlin.\u201d\u00a0Cicero<\/i>, November 17, 2006.*\u00a0<\/span><\/span><\/p>

Staff. \u201cDie Mauer.\u201d\u00a0Kunst Herbst Berlin<\/i>, October 13, 2006.*\u00a0<\/span><\/span><\/p>

Staff. \u201cThe Fence.\u201d on \u201cDie Kulturzeit-Tipps in K\u00fcrze.\u201d\u00a03SAT<\/i>, Oct. 12, 2006.\u00a0*\u00a0<\/span>http:\/\/www.3sat.de\/page\/?source=\/kulturzeit\/tips\/98885\/index.htm<\/span><\/a>l<\/span><\/p>

Staff. \u201cMitten in Berlin entsteht unter der Schirmherrschaft des Politikmagazins Cicero ein neuer Veranstaltungsort.\u201d\u00a0Berliner Zeitung<\/i>, October 10, 2006.<\/span><\/p>

2005<\/strong> * Der Feber, Ron, \u201cNoord Nieuws\u201d (evening news), RTV Noord. Holland. 15\u00a0March 2005.<\/span><\/p>

Mitchell, Paula Ann. \u201cHeartfelt Journey.\u201d\u00a0The Daily Freeman,<\/i>\u00a0October 30, 2005.\u00a0*\u00a0<\/span>http:\/\/www.dailyfreeman.com\/articles\/2005\/10\/30\/people%20&%20events\/15478479.txt<\/span><\/a><\/span><\/p>

De Lange, Henny. \u201cIn de voetsporen van een moeder.\u201d\u00a0Trouw Newspaper,<\/i>\u00a0September 3,\u00a0*\u00a0<\/span>2005<\/span><\/p>

2004<\/strong> Kroohs, Dwayne. \u201c2004: A Look Back.\u201d\u00a0The Daily Freeman<\/i>, December 26, 2004.\u00a0*\u00a0<\/span>http:\/\/www.dailyfreeman.com\/articles\/2004\/12\/26\/people%20&%20events\/13622799.tx<\/span><\/a>t<\/span><\/p>

Mitchell, Paula. \u201cRetracing a Mother\u2019s Painful Journey.\u201d\u00a0The Daily Freeman<\/i>, May 9, 2004.\u00a0*\u00a0<\/span>http:\/\/www.dailyfreeman.com\/articles\/2004\/05\/09\/people%20&%20events\/11615594.txt<\/span><\/a><\/span><\/p>

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ARTIST RESIDENCIES<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2022\u00a0IASPIS, Sweeden, June-August.<\/span><\/p>

2017 Villa Waldberta, Germany, Dec .
<\/span><\/p>

2016 Baexong Arts, Japan, Jan \u2013 March .<\/span><\/p>

2015 Eckernf\u00f6rde K\u00fcnstlerhaus, Germany Apr \u2013 June.<\/span><\/p>

2014 National Art Studio, Changdong, National Museum of Modern and Contemporary Art, Korea, Jan \u2013 June .<\/span><\/p>

2013 IAP Baengnyeong-do Peace Arts Residency Project, Korea, Sep \u2013 Nov .<\/span><\/p>

Tokyo Wonder Site, exchange program, May \u2013 July.<\/span><\/p>

Hadassah-Brandeis Institute, Boston Mass, artist in residency, Apr.<\/span><\/p>

2010 Northwood University, Midland, MI visiting artist, .<\/span><\/p>

2009 Tokyo Wonder Site, Tokyo, Japan, Creator-in-Residence \u2013 International Nomination Program, Jan \u2013 Apr .<\/span><\/p>

2007-2008 Kio-A-Thau Artist-in-Residence,\u00a0<\/span>Kaohsiung County, Taiwan,\u00a0<\/span>Aug \u2013 Jan<\/span><\/p>

2007 Artist-in-Residence(ART), Tokyo, Japan, .<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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LECTURES & TEACHING<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2022 Laspis, Stockholm, SE
<\/span><\/p>

MeetFactory, Prague, CR
<\/span><\/p>

Mental Health Arts Space (MHAS), Berlin DE, workshop series: Self-Defense for Minorities Who Must Make a Living in the Art World
<\/span><\/p>

Bildungswerk des bbk berlin, DE, workshop series: Self-Defense for Minorities Who Must Make a Living in the Art World
<\/span><\/p>

2021 Landmark College, Why we cant have nice things.
<\/span><\/p>

2020 University of Vienna, AU, Cultural Policy, Politics & Activism2019 Nordic Trans Realities Conference.<\/span><\/p>

Sonntags Club (LGBTQ organization), Berlin.<\/span><\/p>

2018 Weld, Stockholm Sweden<\/span><\/p>

2017 Art & Activism symposium Rotterdam Holland<\/span>
<\/span><\/p>

Halle 6, Kreativquartier Munich.
<\/span><\/p>

2016 Hospitable project, Tottori Japan
<\/span><\/p>

2015 Tate Modern, London UK
<\/span><\/p>

2014 Cal Arts (CSSSA) LA, USA
<\/span><\/p>

Oberwelt collective, Stuttgart
<\/span><\/p>

2013 Hitotsubashi University, Tokyo
<\/span><\/p>

Brandeis University, Boston. USA
<\/span><\/p>

2011 Landmark college, Putney, VT USA
<\/span><\/p>

Rutgers University New Jersey, USA
<\/span><\/p>

2010 Arsenal Berlin (Screening)
<\/span><\/p>

B_Books, Berlin, Germany,
<\/span><\/p>

Busan Biennale Academic Panel, Busan, Korea.
<\/span><\/p>

Columbia University, New York, USA.
<\/span><\/p>

Delta College, Saginaw, MI.USA
<\/span><\/p>

Fachhochschule Frankfurt am Main, Frankfurt, Germany
<\/span><\/p>

Landmark College, Putney, VT, USA
<\/span><\/p>

Northwood University, Midland,USA
<\/span><\/p>

2009 Tokyo Wonder Site, Tokyo, Japan,
<\/span><\/p>

2007 Kyoto Sangyo University, Kyoto, Japan,
<\/span><\/p>

Kio-A-Thau, Artist Village, Kaohsiung Taiwan
<\/span><\/p>

National University of Kaohsiung, Taiwan<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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GRANTS AND AWARDS<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2021 Stiftung Kunstfonds Arbeitsstipendium (one year work grant)<\/span><\/p>

2016 Berlin Senat travel grant\u00a0<\/span><\/p>

2014 Deutsche K\u00fcnstlerhilfe Bundespr\u00e4sident<\/span><\/p>

2013 Berlin Tokyo Exchange, Creative City, Berlin\u00a0<\/span><\/p>

Brandeis University Project grant.<\/span><\/p>

2013 Deutsche K\u00fcnstlerhilfe Bundespr\u00e4sident<\/span><\/p>

2010 Film\/Video des K\u00fcnstlerinnenprogramms, Creative City, Berlin, Germany\u00a0<\/span><\/p>

2009 Book of the month Profifoto magazin Germany. June 2009<\/span><\/p>

Art It best exhibition of 2009\u00a0<\/span><\/p>

Conscientious, Book of the year<\/span><\/p>

Tokyo Metropolitan Foundation for History and Culture, Tokyo Wonder Site, Tokyo, Japan,\u00a0<\/span><\/p>

Embassy of the Netherlands, Tokyo, Japan,<\/span><\/p>

2008 Embassy of Israel, Bangkok, Thailand<\/span><\/p>

Nederland in Japan, Embassy of the Netherlands, Tokyo, Japan,<\/span><\/p>

Stef Werthimer, Israel.<\/span><\/p>

City Life Publishing, Chiang Mai, Thailand<\/span><\/p>

2007 Council for Hakka Affairs, Jia-dong, Taiwan,\u00a0<\/span><\/p>

Award for civic merit, county of Pin-Dong for the installation of\u00a0four generations\u00a0<\/i>project,\u00a0<\/span><\/p>

Cultural Bureau of Kaohsiung County, Taiwan,\u00a0<\/span><\/p>

Zimit Grant,\u00a0<\/span><\/p>

2005 The Bick Fund,\u00a0<\/span><\/p>

Zimit Grant,\u00a0<\/span><\/p>

2004\u20132005 The Thomas J. Watson Fellowship, New York, NY\u00a0<\/span><\/p>

2004 Zimit Grant,\u00a0<\/span><\/p>

Avi Chai Foundation, Jerusalem, Israel\u00a0<\/span><\/p>

Hillel Foundation, Washington DC,\u00a0<\/span><\/p>

Human Rights Program, Bard College, NY\u00a0<\/span><\/p>

The Bick Fund,\u00a0<\/span><\/p>

2002<\/span>\u00a0Voice & Vision Summer<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t<\/path>\t<\/polygon>\t<\/path><\/g><\/svg>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<\/defs><\/path><\/path><\/g><\/svg>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tFacebook<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tTwitter<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tLinkedin<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tWikipedia-w<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tWikipedia-w<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tWikipedia-w<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tMastodon<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Curriculum Vitae Solo Exhibiitons Bibliography Grants Group Exhibiitons Residencies as PDF Monographs Teaching Short Bio EDUCATION 2004-4005 Thomas J. Watson Fellowship, Independent study, Trans Europe. 2000-2004 BA in Photography, Bard College, studied with Stephen Shore, Annandale-on-Hudson, NY 1997-2000 Residential monastic Zen training, Zen Mountain Monastery, Mt. Tremper, NY\u00a0 1995-1996 Landmark College, Putney VT 1988 Video… Read More »Curriculum Vitae, full CV<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-770","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/pages\/770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/comments?post=770"}],"version-history":[{"count":87,"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/pages\/770\/revisions"}],"predecessor-version":[{"id":1502,"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/pages\/770\/revisions\/1502"}],"wp:attachment":[{"href":"https:\/\/yishay.com\/index.php\/wp-json\/wp\/v2\/media?parent=770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}